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Sound Recorder 3. Templates Incl. Steinberg Nuendo 5 0 1. Subject: Steinberg Nuendo V4. Dec 23, — Steinberg Nuendo v4. Steinberg HALion Jul 10, — Steinberg. Steinberg - HALion v3. Apr 19, — Tascam gigastudio keygen crack; Docudesk deskunpdf professional Now, if only you could route a channel to multiple outputs without having to use sends Like the Transport panel, the Automation panel can be customised so you can set which categories of controls you want to see.
But its design is quite different and seems almost tactile, with a large number of cleanly laid-out and well-sized buttons that give a clear indication as to the status of the automation controls. In fact, this panel seems crying out to be used in conjunction with a touchscreen.
Previously, when you chose a mode for writing automation data, such as Touch or Auto-Latch, that mode would be global so the data created when you adjusted the controls of any track would be written using the same automation mode. In Nuendo 3, enabling automation on a track would arm all controls on that track for automation. So if you were riding a volume fader in an automation pass and you suddenly wanted to trim the reverb send level on that track, both the volume and send level would generate automation data.
To this end, Nuendo now offers a number of Fill options, of which Fill To End would aid the situation just described. Likewise, Fill To Start and Fill To Punch write the current value of a control being automated to either the start of the Project or the point at which you started the transport rolling for that pass, while Fill Loop writes the current value when the control being automated is released to the current loop region. When Preview mode is enabled in the Automation panel, you can enable individual controls for a Preview pass by either touching the control or enabling the Preview button on the automation track for that control.
However, Preview mode allows you to do much more than simply preview an automation pass. Once Preview mode is active, three additional commands become available in the Automation panel: Suspend, Punch and Punch on Play. The Preview Suspend command allows you to toggle between the current Preview position of an automation control and the original automation data that already exists for that control, which is, as you can imagine, incredibly useful.
Punch lets you punch in and start replacing the existing automation from the current transport position, at which point Preview mode will become inactive. When you punch in from Preview mode, Nuendo will store the values of all the controls that were enabled in Preview mode as an entry in the Punch Log, which is part of the Automation panel. The Punch Log is set to store 10 entries by default, although this value can be increased to if you wish.
And once your last entry in the Punch Log has been created, Nuendo will start overwriting the entries at the beginning of the log. Once a punch entry has been added to the log, you can recall it by clicking the Load button, and by enabling Punch on Play, the stored values for all controls in that punch will be written as automation the next time the transport starts playing, which is pretty neat. Preview mode is pretty powerful, but one area that can become frustrating is having to manually enable every single control you want to include in a Preview pass.
One thing that would be nice, though, is a way of enabling all controls on the mixer for Preview mode with a single command, which would also make it easier to work with snapshots of the entire mixer. Overall, the new automation features in Nuendo 4 are quite impressive. It perhaps goes without saying that a control surface will help you to get the most out of the new automation functionality, and assigning key commands or any customisable buttons on your surface to all of the new controls in the Automation panel is going to be essential.
Here you can see one of the presets that comes with Nuendo 4, which deletes Volume automation tracks. While the new routing and automation features are tremendously useful, possibly my favourite feature in Nuendo 4 is the new Project Logical Editor, which enables you to manipulate objects in the Project window based on certain conditions.
The Project Logical Editor looks like and works in exactly the same way as the Logical Editor, which is used for processing MIDI events, although these two editors work completely independently of each other. The basic premise of the Project Logical Editor is that you can set a condition, and any object that matches this condition on the Project window can either be selected, deleted, or transformed according to the action you specify.
The real power of the Project Logical Editor comes from the fact you can manipulate tracks, parts and events for almost every type of data: audio, MIDI, automation, marker, transpose and Arranger types are all supported. For example, say you wanted to delete all the automation tracks for the plug-in ModMachine.
Any presets you create with the Project Logical Editor can be assigned in Key Commands and be used as part of a macro command. As with the original Logical Editor, presets for the Project Logical Editor also show up in the key commands window, which offers two benefits. Firstly, you can of course assign key commands to your Project Logical Editor presets; but secondly, and far more interestingly, you can create macros that combine these presets with other Nuendo commands. For example, say you wanted to record all of your stems within a Project.
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